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BENEFITS OF BEING A MEMBER OF ABPT

BENEFITS OF BEING A MEMBER OF ABPT

In recent years, the ABPT has improved its benefits to its members. Mainly due to its website at www.piano-tuners.org where we generate income and free advertising to members. 

Our insurance covers:

  1. Public liability for 5 million
  2. Eployee liability. 10 million for one Eployee 
  3. If you damage a customers piano while working on it in their home, there is cover up £25,000, the first £250 of which to be paid by member.
  4. Professional indemnity insurance 100,000 - 1,000 excess.
  1. On our website, members can list areas, in which they work and give contact details. If they deal in used pianos they can advertise on this site or related sales, providing they do not conflict with the ABPT's shopping cart.
  2. The annual subscription for a full member is presently £120.00; this fee is substantially lower than many other organisations.
  3. Insurance is essential in this day and age, particularly when entering public buildings, schools, halls etc. 
  4. We can arrange for personal insurance to cover loss of earnings while ill. Members can also apply for a single payment of £500, from the Association if they are unable to work because of an injurycaused by accident or some other disabling illness. Payments will be at the discretion of the Management Committee.
  5. Through the Association, new members can be checked by the Criminal Records Bureau to clear them to work in situations where there are vulnerable people such as in schools,homes for the elderly etc, a certificate wil last for 3 years.
  6. To give a professional image, we offer shirts and ties with our logo on at cost price.
  7. We subsidise training sessions, often at our Annual General Meeting, and endeavour to expand this training in local areas.
  8. Subsidised high-impact display advert in Yellow Pages for members 
  9. We advertise in piano-related journals.
  10. We have a free leaflet for members "Buying and Caring for Pianos" also, "Health & Safety with pianos in schools."
  11. We are now members of Euro Piano, this is a European organisation, which represents piano tuners, and strives to keep the very best of standards throughout Europe. All members also become members Euro Piano
  12. To keep in touch with all members an audio newsletter is produced approx 4 times a year. Plus the PTQ, both publications are free to members. We also have an email discussion forum only accessible to members. 
  13. We register and host domains for members for £5.00 a year. This includes FTP, email send and receive ether POP3 or forwarding 

With our resources, we will be striving to improve the business of members for the future, so why not join us and, for the equivalent of a pound a week at present, realise these benefits.

Application form

 

 

 

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Did You Know Piano Facts

Concert Pitch
What is Standard Pitch or Concert Pitch and why do we need it? Standard Pitch is a universal frequency or note that all instruments are set to. Todayís standard pitch is A440 or C523.3 and this concert pitch enables musicians to play instruments together in harmony. A form of standard pitch has been around ever since two individuals wished to play two instruments together or sing to an instrument. A tuning fork is normally used to set the pitch. However, in the past, pitch pipes have been used, and today electronic tuning forks are also used, but the most common is the tuning fork. The tuning fork was invented by John Shore in 1711 and it had a pitch of A423.5. He was the sergeant trumpeter to the Court and also lutenist in the Chapel Royal.
Of course, once you have your "A" or "C" set to a pitch, the rest of the instrument will have to be tuned. A scale is set in the middle and this scale also determines the pitch of all the twelve notes in the octave. The most common system used to day is known as equal temperament. This sets the pitches of the twelve notes so that the player can play the instrument in all keys by dividing the roughness equally among the twelve notes. The roughness is called the "wolf." This term may have come about because if the "wolf" is not set right the instrument will be howling out of tune.
Like standard pitch A440, equal temperament is not the only tuning scale that has been used. Ptolemy started using just intonation in 136 AD. Meantone tuning was perfected by Salinas in 1577 AD. Equal temperament was proposed by Aristoxenus, a pupil of Aristotle, and had been in use in China for some centuries before. It would seem that equal temperament was used in North Germany as early as 1690. In 1842 the organ of St. Nicholas, in Newcastle-upon-Tyne, was tuned to equal temperament, and this is believed to be the first organ to be tuned in this way in England for a concert. Willis the organ builder did not use equal temperament until 1854. However, in 1846 Walter Broadwood directed Mr. Hipkins the head piano tuner at the company to instruct their tuners in the use of equal temperament. Mr. Hipkins used two tuning forks, one for meantone at A433.5 and one for equal temperament at A436. Meantone was the most common scale used at that time. See Ed Foote for more information on the use of meantone on today's pianos.
Musicians are not the only people to work with pitch. In 583 BC, a Greek philosopher called Pythagorus was making use of the monochord. This device is simply a soundbox with a single string stretched over a movable bridge, the position of which can be determined by a scale marked on the soundbox. This was more of a scientific instrument than a musical one. Before this time, the Egyptians and Greeks made use of the monochord. For 5000 years, it was used to make intricate mathematical calculations. The ratio of intervals and many other facts that make up the fundamentals of acoustic science were discovered using the monochord. Pythagorus used a pitch of 256Hz on his monochord. The study of mathematics was known as philosophy in the time of Plato.